Same kind of different as me : a modern-day slave, an international art dealer, and the unlikely woman who bound them together
(Book)
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Copies
| Location | Call Number | Status |
|---|---|---|
| Cicero Public Library - Stacks | 976.4 HAL | On Shelf |
| Homewood Public Library District - Stacks | 291 HAL | On Shelf |
| Oak Lawn Public Library - Stacks | 976.45315 HALL | On Shelf |
| Richton Park Public Library District - Stacks | 921 SAME | On Shelf |
| Steger-South Chicago Heights Public Library District - Stacks | 291 HAL | On Shelf |
Subjects
Art dealers -- Texas -- Fort Worth -- Biography.
Biographies.
Case studies.
Fort Worth (Tex.) -- Biography.
Friendship -- Case studies.
Hall, Deborah, -- 1945-2000.
Hall, Ron, -- 1945-
Homeless men -- Texas -- Fort Worth -- Biography.
Indentured servants -- Louisiana -- Red River Parish -- Biography.
Moore, Denver.
Whites -- Texas -- Fort Worth -- Biography.
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Citations
Hall, R., Moore, D., & Vincent, L. (2017). Same kind of different as me: a modern-day slave, an international art dealer, and the unlikely woman who bound them together (Movie tie-in edition.). W Publishing Group, an imprint of Thomas Nelson.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Hall, Ron, 1945-, Denver, Moore and Lynn Vincent. 2017. Same Kind of Different As Me: A Modern-day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together. W Publishing Group, an imprint of Thomas Nelson.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Hall, Ron, 1945-, Denver, Moore and Lynn Vincent. Same Kind of Different As Me: A Modern-day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together W Publishing Group, an imprint of Thomas Nelson, 2017.
MLA Citation, 9th Edition (style guide)Hall, Ron, Denver Moore, and Lynn Vincent. Same Kind of Different As Me: A Modern-day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together Movie tie-in edition., W Publishing Group, an imprint of Thomas Nelson, 2017.