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Chicago is a tale of two cities, headlines declare. This narrative has been gaining steam alongside reports of growing economic divisions and diverging outlooks on the future of the city. Yet to keen observers of the Second City, this is nothing new. Those who truly know Chicago know that for decades-even centuries-the city has been defined by duality, possibly since the Great Fire scorched a visible line between the rubble and the saved. For writers...
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Arguably the most influential document in the history of American urban planning, Daniel Burnham's 1909 'Plan of Chicago' proposed many of the city's most distinctive features. This text reveals the Plan's central role in shaping the ways people have envisioned the cityscape and urban life itself.
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This “rollicking newspaperman’s memoir” offers a personal tour of Chicago’s cultural history and makes “a strong case for Second City exceptionalism" (The New York Times).
In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the "Second City." From the skyline to garbage collection, nothing escaped Liebling's...
In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the "Second City." From the skyline to garbage collection, nothing escaped Liebling's...
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A sociologist returns to her suburban Illinois hometown to compare the paths of black and white childhood friends in a "fascinating" mix of study and memoir (Chicago Tribune).
Mary Barr thinks a lot about the old photograph on her refrigerator door. In it, she and a dozen or so friends from the Chicago suburb of Evanston sit on a porch. It's 1974, the summer after they graduated from Nichols Middle School, and what strikes her immediately—aside...
Mary Barr thinks a lot about the old photograph on her refrigerator door. In it, she and a dozen or so friends from the Chicago suburb of Evanston sit on a porch. It's 1974, the summer after they graduated from Nichols Middle School, and what strikes her immediately—aside...
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R.J. Nelson, hired in 1987 to clean up rampant corruption on Chicago's waterfront, writes about his experiences, including the angry constituents, prying journalists, shell-shocked employees, and how he made it his personal mission to become a public servant who worked for the common good and followed the spirit-- if not always the letter-- of the law.
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It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence's Lounge, in the heart of Chicago's South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog's debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew...
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"Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired...
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"In the American judicial system, even accused murderers, rapists, arsonists, and child abusers have voices and rights; and as the Miranda warning says, if they cannot afford a lawyer, one will be appointed to represent them. Enter the public defender, who must try to help people who have done reprehensible things-no matter their personal assessment of the client and situation. Former PD Allen Goodman draws upon a deep understanding of that milieu,...
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